Artists Statement
At the heart of my practice lies a meditation on home, memory, and the evolving relationship we have with the tools we use to record life. My work originates in the domestic sphere: family snapshots, childhood spaces, and the emotional architecture of home. These intimate starting points allow me to explore the layered histories embedded in everyday technologies—from analog cameras and family photo albums to digital archives and data-driven platforms.
I question how these devices shape what we remember, what we forget, and how we form our own narratives. By deconstructing familiar formats, I invite viewers to reassess their own relationship with memory technologies. My work, often hybrid in form: part sculpture, part projection, part participatory lab; they layer past and present, analog and digital, personal and collective.
I question how these devices shape what we remember, what we forget, and how we form our own narratives. By deconstructing familiar formats, I invite viewers to reassess their own relationship with memory technologies. My work, often hybrid in form: part sculpture, part projection, part participatory lab; they layer past and present, analog and digital, personal and collective.
Ultimately, I aim to create spaces where the domestic becomes experimental, where the familiar is destabilised, and where memory is felt as something dynamic—fluid, uncertain, and shaped by the technologies that mediate our perception. In doing so, I situate photography, video, archival ephemera and sculptural objects not just as vessels of memory, but as active agents in its constitution.